How I shoot
Style.
I absolutely adore my job! My style of photography is all about capturing those natural and candid moments without getting in the way. I used to work as a press photographer in the UK, and I’ve been passionate about photography since I was 13 years old. Today, I specialize in wedding photojournalism, where I document the day in a natural and authentic way that no staged photograph can capture.
I’m like a fly on the wall, everywhere and yet nowhere to be seen. When I’m photographing a wedding, I pour my heart and soul into every shot. I don’t stage anything or direct anyone – I simply document life as it happens. Of course, I’m more than happy to take group photos and shots of the happy couple, but those are usually quick and painless.
01.
What I love
What really gets me excited are those decisive moments full of emotion. I’m constantly learning and drawing inspiration from the greats in the art world – from painters and photographers to filmmakers and war correspondents. It’s amazing how much you can learn from other creatives!
The beauty of wedding photojournalism lies in its simplicity. It’s all about capturing the moments without any interference. The photographer acts as an observer, and the result is a series of authentic, intimate images that tell the story of the couple’s special day.
02.
The approach
This approach allows you and your partner to be yourselves and enjoy your day without worrying about sticking to photography trends or posing for the camera. As a wedding photojournalist, I see myself as an observer. My goal is to capture authentic images that tell the story of your day. I won’t be getting in your way or directing you in any way. Instead, I’ll be quietly documenting your experience.
I only work with available light, whether I’m capturing weddings or street photography. Waiting for everything to come together in the frame is what I live for. For me, light, composition, and geometry all form the structure of the perfect image. I spend a lot of time anticipating the moment, and when it finally arrives, I squeeze the shutter in an attempt to capture “the decisive moment.”
03.
Inspiration
My studio is filled with photography books, which I use to continue my education and craft. I’m always learning about art and design, and I view it as a never-ending journey of discovery.
There are so many photographers who inspire me, but I have to say that my heroes are Henri Cartier-Bresson, Robert Frank, Robert Doisneau, Don McCullin, Elliott Erwitt, Alex Webb, and the founders of Magnum. I’m constantly striving to learn from their work and incorporate their techniques into my own photography.
